Mark Mitchell Exhibitions

New Works

7 Feb - 4 Mar 2015

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Artists

Exhibition Works

Middlemarch
Karl Maughan Middlemarch (2015)
Outram
Karl Maughan Outram (2015)
Dunrock
Karl Maughan Dunrock (2014)
CCTV
John Walsh CCTV (2014)
Roost of the Southern Manaia
John Walsh Roost of the Southern Manaia (2014)
Marakihau ko au - You will know me soon enough
John Walsh Marakihau ko au - You will know me soon enough (2014)
Tilt
Mark Mitchell Tilt (2015)
Pour
Mark Mitchell Pour (2015)
The Nebula NGC in Scorpius
Reuben Paterson The Nebula NGC in Scorpius (2014)
Down by the Banks of the Hanky Panky VII
Reuben Paterson Down by the Banks of the Hanky Panky VII (2014)
Down by the Banks of the Hanky Panky VIII
Reuben Paterson Down by the Banks of the Hanky Panky VIII (2014)
Down by the Banks of the Hanky Panky VI
Reuben Paterson Down by the Banks of the Hanky Panky VI (2014)
Screenplay I
Garry Currin Screenplay I (2014)
Screenplay II
Garry Currin Screenplay II (2014)
Screenplay III
Garry Currin Screenplay III (2014)
Black Halos 7
Neil Dawson Black Halos 7 (2014)
Japonica - For Midge
Layla Walter Japonica - For Midge (2008)
Ann's Dahlia #7
Layla Walter Ann's Dahlia #7 (2013)
Japonica with Swallow
Layla Walter Japonica with Swallow (2008)

Exhibition Text

New Works 2015 brings to Queenstown for the first time, three paintings by John Walsh. The mythic, extraordinary Roost of the Southern Manaia is accompanied by two beautiful works demonstrating Walsh’s characteristic fluid deftness.

Mark Mitchell’s rapid development as a nationally significant ceramist is evident in Tilt and Pour.

In The Nebula NGC in Scorpius Reuben Paterson combines disparate elements in wonderfully compelling ways – a radiating star-shaped optical, abstract discourse sits beneath an array of floating flowers. Together these coalesce into an event and metaphor of time.

Neil Dawson’s Black Haloes 7 has a stillness and magic to it which is both compelling and rare.

Garry Currin tells visual stories in ways which are surprising. The palette appears at first to be tight and controlled but colour, objects, incidents and landscape begin to emerge from behind a misted surface. With every viewing, something alters, changes, is discovered.

Acclaimed glass artist Layla Walter’s large-scale bowls are triumphant demonstrations of her power of restraint and figurative skills.

The exhibition is completed with three new paintings by Karl Maughan.