Paradise Camp comprises twelve tableau photographs featuring a cast of Sāmoan Fa'afafine (Sāmoa’s ʻthird gender’), repurposing and upcycling paintings by the late post-impressionist French artist Paul Gauguin believed to have been inspired by Sāmoa.
Kihara’s performative photography is presented against a vast wallpaper of a landscape decimated by the 2009 tsunami, and alongside First Impressions: Paul Gauguin - a five-part talk-show series written and directed by Yuki Kihara, commissioned by Fine Arts Museum of San Francisco and Ny Carlsberg Glyptotek, Copenhagen in 2018, where a group of Fa'afafine comment wittily on select Gauguin paintings.
Inspired by the faleaitu (house of spirits) skits performed in Sāmoan, Kihara also casts herself as Gauguin in Paul Gauguin with a Hat (after Gauguin). In this ingenious role reversal, Kihara is transformed via silicone prosthetics, costume, moustache and wig into the 19th century French painter who spent ten years in French Polynesia.
The exhibition also features a “Vārchive” – a term coined by Kihara that uses the Sāmoan concept of Vā to describe her relationship with her archive of research. The artist says, “My Vārchive includes personal research, rare books by 19th century explorers, colonial portraits, pamphlets, news items, a geological sculpture and activist material. It provides both a backstory of how Paradise Camp came into being, and as a living entity, it helps to provide new meaning in the present and future.”
TO ENQUIRE ABOUT ACQUIRING WORKS IN PARADISE CAMP PHONE +64 3 477 7727 OR
NEW ZEALAND AT VENICE WEBSITE
Visit the official NZATVENICE website to access a walkthrough of the exhibition, an interactive VIRTUAL EXPLORE section with comprehensive information about each artwork, videos with Yuki's commentary on numerous aspects of Paradise Camp, the complete Yuki Kihara Vārchive, and the full New Zealand at Venice story.
SELECTED PRESS AND MEDIA
25/05/23 - The Saturday Paper - Artist Yuki Kihara
18/11/22 - Artlink - Pimp my Gauguin: Yuki Kihara's Paradise Camp (or Why Post Impressions Matter)
25/05/22 - Burlington Contemporary - Yuki Kihara: Paradise Camp
24/05/22 - Contemporary HUM - Interview with Yuki Kihara
24/05/22 - Contemporary HUM - Interview with curators Natalie King and Ioana Gordon-Smith
26/04/22 - Something Curated - The Best From the 59th Venice Biennale
22/04/22 - Sleek Magazine - Paradise Camp at the Venice Biennale - An Interview with Yuki Kihara
22/04/22 - Art Agenda Review - 59th Venice Biennale, The National Pavilions
21/04/22 - CNN Style - Powerful photo by Pacific indigenous artist reveals truth about 1899 painting
21/04/22 - OCULA - Yuki Kihara's Paradise Camp - In conversation with Natalie King
21/04/22 - The Big Idea - History has arrived: Yuki Kihara in her own words
21/04/22 - Otago Daily Times - Long road to Venice for artist
YUKI KIHARA ARTIST INFORMATION
FURTHER READING AND RESEARCH MATERIAL ON YUKIKIHARA.WS
2021 - サモアのうた (Sāmoa no uta) A Song About Sāmoa - Fanua (Land)
2020 - Fa'afafine - In the Manner of a Woman
2019 - サモアのうた (Sāmoa no uta) A Song About Sāmoa - Vasa (Ocean)
2017 - Coconuts That Grew From Concrete
2015 - A Study of a Samoan Savage
2013 - Where Do We Come From? What Are We? Where Are We Going?